Article Index

Section Kayar and Dakar, Senegal

 

Here are the first few images of drawings and paintings from youth of Kayar and Dakar. Some are by pupils who have already had some more training in painting techniques, while some did not yet have regular instructions. The themes addressed are of several types - reflecting local maritime culture, the pride and dangers of the fishermen, the myths surrounding the sea, but also reflections on research results and observations pertaining to rarefaction of the resource, pollution and other challenges.

 

Diogomaye, Dakar street artist - 
Toumba Castel. The goddess of the Water of the (former slave) Gorée Island off Dakar from where slaves were sent to plantations in the Americas and the Caribbean - 
Drawing, colour pencilsGroup work
without title, realised by all pupils of the CEM Kayar, with everybody making some contribution in the form of some brush strokes or gluing on some materials (like the net)
Mixted media, 145 cm x 62 cmOmar Bâ, 4th CEM Kayar - 
Fishermen at sea - 
Acryl, 49 x 38 cmM. NDiaye, CEM Kayar - 
A fisherman in the sea - 
Acryl, 49 cm x 38 cmPape Matar Diop, 4th CEM Kayar - 
The killing wave. 
Relates to accidents particularly of illegal migrants - 
Acryl, 49 cm x 38 cm F. Diop, CEM Kayar - 
Braving the swell - 
Acryl, 46 cm x 36 cmNiang and Sarr, CEM Kayar - 
The challenge of the ocean for the fishermen - 
Acryl colours I. Seck, CEM Kayar - 
Gill net - 
Acryl, 48 cm x 37 cmA. Diop, CEM Kayar - 
Pollution on the beach (partial view) - 
Acryl, original 61 cm x 37 cmM. Sen, CEM Kayar - 
Biodiversity - fish and birds populating the air and the ocean respectively and meeting each other - 
Acryl colours A. Diop, CEM Kayar - 
Sunset - 
Acryl colours Mameoulimata Gaye, 4th CEM Kayar - 
Time line - 
Water colours and mixted media 
Madické Kane, 5th A CEM Kayar - 
Boy and the sea - 
Water colours and mixed media Babacar Bâ, 4th CEM Kayar - 
Pirogue de campagne (Pirogue for fishing trips) -
Water colours and mixted media

Different authors

 

The images are partially naturalistic, partially representing myths from around the sea

 

Different authors

 

The images are partially naturalistic, partially representing myths from around the sea

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

If you want to learn more about the context into which the youth works are embedded, notably how Kayar fishermen are loosing out to industrial fleets from elsewhere, but also showing how the dramatic decline of the resource base and with it the fishing communities is not confined to Kayar, watch the documentary on YouTube fittingly entitled 'Cry Sea' by film directors Cafi Mohamud and Luca Cusani.